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<title>shauncharles's CGPortoflio Gallery</title>
<link>http://shauncharles.cgsociety.org/gallery/</link>
<description>shauncharles's gallery of images</description>
<language>en-us</language>
<ttl>120</ttl>
	<item>
	<title>Sunset Landscape</title>
	<link>http://shauncharles.cgsociety.org/gallery/605946</link>
	<description><![CDATA[<img src="http://features.cgsociety.org/gallerycrits/224887/224887_1205038750_small.jpg"><br><br>This was probably the first Sunset painting I had ever done.  I had a drawing of this city landscape from earlier and  did a couple of different color schemes for it.  From the Day, Night, Sunset color schemes, this one turned out the best.  Photoshop, brush 132 set at 70% opacity.  This idea comes out of my thoughts of a long lost civilization of strange castles, worn and standing the test of time. This is also one of my architecture types of choice, giving a simplified Gothic and crystalline feel.]]>
	</description>
	<pubDate>Sun, 09 Mar 2008 04:59:13 +0000</pubDate>
	</item>
	<item>
	<title>Flaming Dragon</title>
	<link>http://shauncharles.cgsociety.org/gallery/605902</link>
	<description><![CDATA[<img src="http://features.cgsociety.org/gallerycrits/224887/224887_1205022771_small.jpg"><br><br>I had one of those moments working on a project where I had to get away from it and do something else. This is the product of that escape. Either I felt this way about the other project, or this is just truely what I would rather have done for that project. All 100% Photoshop from sketch to finish. It was a particular challenge to imply that he had flames coming out of his mouth and mane like a beard and flowing hair. If this guy were leading me through a dark path, I would be grateful. I would keep my distance though! Feel free to give me your honest thoughts and critiques, all are welcome.]]>
	</description>
	<pubDate>Sun, 09 Mar 2008 00:32:54 +0000</pubDate>
	</item>
	<item>
	<title>The Great Tree</title>
	<link>http://shauncharles.cgsociety.org/gallery/605942</link>
	<description><![CDATA[<img src="http://features.cgsociety.org/gallerycrits/224887/224887_1205036777_small.jpg"><br><br>This piece began from a sketch that I did a while back.  I looked through my sketchbook one day, and thought, wow, this could make a great digital image.  For the concept, I wanted the tree-structure to look extremely distant and larger than life.  It was like it stretched into the outer atmosphere as a space dock for ships, while allowing living space on the planet in the &quot;form&quot; of a tree. I enjoyed working with the way the atmosphere played with the tree-structure.  Executed in Photoshop again.  My usual brush combination at 70% opacity.]]>
	</description>
	<pubDate>Sun, 09 Mar 2008 04:26:23 +0000</pubDate>
	</item>
	<item>
	<title>The Emerald City of OZ</title>
	<link>http://shauncharles.cgsociety.org/gallery/554030</link>
	<description><![CDATA[<img src="http://features.cgsociety.org/gallerycrits/224887/224887_1193291511_small.jpg"><br><br>I have always loved the story of the Wizard of OZ.  I wanted to make the city huge and jutting up out of the landscape.  I made the lighting warm to invite the viewer in against the vastness of the imposing city.  The characters are engulfed in a world much bigger than them.  I used the Nagel brush series to paint this piece in Photoshop.  I took the 132 brush in series 10 and dual brushed it with the 144 at 70% opacity.  Originally I had the idea to make a Wizard of OZ painting with a Frazetta feel.  ]]>
	</description>
	<pubDate>Thu, 25 Oct 2007 05:51:54 +0000</pubDate>
	</item>
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